Apichatpong Weerasethakul Movies

A collaboration between Apichatpong and Japanese composer Ryuichi Sakamoto from his album “async”. The people falling asleep in this film...

Like Kamanita, the unchanged Morakot is a star burdened with (or fueled by) memories. Apichatpong collaborated with his three regular actors, who...

A filmmaker captures images that characterize the violence and repression as well as the hope of rebirth and remembrance in northeastern Thailand.

Six authorities of cinema describe their approach to transcendence, mysticism, spirituality and life after dead.

The work is part of the Memoria Project, the first major series of work that is set outside of Weerasethakul’s home country. Given his affinity...

Prominent film critic Tony Rayns has long been a supporter of Korean cinema. This film illustrates Rayns’ affection for Korean cinema through...

Mock documentary following the escapades of three teenagers on an afternoon jaunt.

Weerasethakul's contribution to an omnibus production exploring analogies between football and everyday life. The project was created by Mexican film...

"Fever Room" features Jenjira (Jen) and Banlop (Itt), two of Apichatpong’s regular actors who also appear in his film, "Cemetery of Splendour"....

Short for his website, kickthemachine.

Apichatpong Weerasethakul's solo exhibition "PHOTOPHOBIA" is held commemorating the 5th anniversary of the opening of Kyoto City University of Arts...

A short for his website, Kickthemachine

Durmiente shows Tilda Swinton, the lead actress of Memoria, sleeping in a bedroom as the shadows grow longer.

One of three films commissioned by the Jeonju International Film Festival in 2005. A couple escaped their family to look for a spiritual tree in the...

Described as being based on Weerasethakul's dreams.

The soundtrack to a radio soap opera set in a luxury hotel is acted out by characters who are riding a ramshackle bus from Bangkok to a small town in...

A recreation of an event to commemorate the presence of the dead and the decayed memories of the living, of filmmaking

A depiction of the landscape, both metaphorically and realistically, of Panyi island. Some footage in the film was taken from the material shot for...

The clouds descend onto a village and engulf it for a day. They touch the roof tiles, the beds, the chairs, the carpets, the grass, and the bodies,...